Tag Archives: vinyl

No Sudden Moves – The Shape Of Things To Come (2019)


 Delicious, dark and full of textural layers ‘The Shape of Things To Come’ is a post-rock delight from Melbourne based artists Nate Hill & Geoff Kerr under the moniker of No Sudden Moves. Continue reading No Sudden Moves – The Shape Of Things To Come (2019)

Anchors – Bad Ju Ju / Poison City Records

LP cover

Ok, in a nutshell..this is a hugely melodic and anthemic punk record. It’s also really reminiscent of Wilhelm Scream so one can expect busy guitars, triplets and riffs and very fast persistent drumming and hoarse/screamed vocals. Check, check, check and check.

At the start of 2010…the band dropped a three song demo online, got buzz almost instantly, gigged everywhere and released an EP whilst chipping away at material for an album and dropped it before Christmas. The vinyl followed shortly after in 2011 for a US release. Talk about a busy year!

The resulting album was 9 tracks long..though it’s really 10 cos there’s an equally cool hidden track after a few minutes of annoying silence. At least that’s how it is on the CD, on the vinyl they just get straight to it! The first and second track are essentially one song…and it’s a blast. Gang vocals ‘don’t let it end like this’ will be replaying through your head with any luck afterwards.
From then on it’s a really entertaining mixed bag of mid paced, fast and riffy melodic punk. It’s furious and pissed off to the utmost extent that vocalist Owen NEVER lets up on his intense delivery for a second so there’s no clean singing, no quieter moments. The band plays with some clever tempo changes and sometimes gets a little complex with the tricky bits..it’s actually heaps cool to hear more than just power chords and harmony octaves all the time which is pretty standard for a lot of melodic punk bands.

It was a goose-bump moment in the albums closing moments to hear the return of the gang vocal which appeared right at the start of the album and is accompanied an incredibly moving outro which just makes me wanna bounce off the walls!

The band is putting it up for free/PWYW D/L on their bandcamp page so I highly highly suggest you get on it! The vinyl is the way to go though, you can pick that up from the friendly gentlemen at Poison City Records in store/online.

As with many others, they’re playing at TapeDeckFest so if you have not gotten off your arse and bought a ticket…pfft!

Or be elite:



Reverie – S/T 7″ (2014)


A new label based in Brisbane > ‘NeverHomeRecords’ have just put out a stunning debut release from fellow Brissy based 4 piece ‘Reverie’. These guys play a super sad and melodic blend of 90’s emo/indie rock but the material is slower paced than most and at times even leans a little toward post-rock. All the better for it. This method worked for a lot of bands IN THE ACTUAL 90’s..so it’s great to see old tricks turn new again!

This is going to resonate strongly for fans of TWIABP/Joyce Manor/Modern Baseball/Basement etc etc. It’s that melodic sad and likeable sound that grabs you in the guts and breaks your feels! You could easily imagine a band like this opening for <insert favourite Topshelf/NoSleep/Runforcover band> if you catch my dirft.

The guitars are beautiful here, reminiscent of Sunny Day Real Estate circa ‘Diary’ era or Jimmy Eat World circa ‘Clarity’ era. They use some beautiful tones and often let the chords just ring out without relying on heaps of distortion to sustain them. The bass plays some great parts, noticeably opening the EP with a wicked bass part that starts the song and demonstrates some solid musicianship. Drums are tasteful and sound really roomy and live..fitting for this style but i noticed some clever hat-work and fills that compliment the space given by the guitars. Sometime it’s not what the band plays but rather what they DONT do that makes an impression. Such is the case here.

Another great quality..is the mix and production: it’s absolutely spot on. A good performance, no matter how well played or emotional can always be let down by a poor engineer and this release has everything going for it. Front man ‘Mitch’ has a raspy singing voice which conveys heaps of feeling and sounds honest. The melodies are simple and lyrically it’s personal heartfelt content eg. “Always been movie extra, un-focussed background figure”… Love that line!

Overall .. huge thumbs up from me, go get it from one of the links below and lets get behind new bands..and the labels behind them!!

Physical copies of the 7” available here:


Stream/download here: http://neverhomerecords.bandcamp.com/album/reverie

Bad Girls Of The Bible – 88 Keys/Simple Mistakes 7″ (2005)


Bad Girls Of The Bible – 88 Keys/Simple Mistakes 7″ (2005)

So this band broke up back in 2005 and hailed from Adelaide. They played a really great style of angular/rock with post-punk tinges and sometimes mathy elements. Sounds too good to be true even as I write it now! They released this ridiculously more-ish two track 7″ which was tracked at one of the band members studio and hit the road for more shows before sadly calling it a day a little while later.

I was lucky enough to get a hold of this bands first demo and lost my shit when I heard it. It had this raw Jawbox/Fugazi/Shellac essence just oozing from it…the guitars had this harsh sound to them which I still struggle to explain…kind of gritty but super clean…the drums were crisp and roomy and the bass was hella dirty and locked in with the drums 100%. Vocally the tone is largely a mash of yelling and tasteful harmonies, all of this just has me weak at the knees.

All of it is thankfully well and truly present on the 7″ that followed that demo.
The band offer it for free download via bandcamp and the vinyl is only $8 (comes with a cd copy as well) which I didn’t hesitate to order upon discovering the defunct bands page. I missed getting a copy when it was retailing through local record stores way back when..so I can’t express the joy of finally getting a copy all this time later! Ermagerd it sounds so good too!
Seriously worth a look in.


RIYL: Jawbox, Shellac, Fugazi